Catálogo de obras
- catálogo clasificado por dispositivo. Pinchar en la imagen para acceder a cada categoría. Al interior de la misma, navegar verticalmente para acceder a los distintos proyectos y horizontalmente para explorar la información de cada obra (se presentan enlaces a grabación, información general, nota de programa, lista de eventos vinculados con el proyecto y, finalmente, enlace a la partitura).
- catálogo completo por orden cronológico
CATÁLOGO POR DISPOSITIVO
Sólo y sólo con electrónica
Cámara y cámara con electrónica
Instrumentos tradicionales
Orquesta
Vocal
Electrónica
escénica
Performances
Instalaciones
transcripciones
CATÁLOGO COMPLETO POR ORDEN CRONOLÓGICO
Works in progress
- Eszku: a collaboration with Zukan Trio. For txistu, accordion, percussion and electronics. A performative installation. Premiere planned for autumn 2025.
- Encounter. A video-danse project in collaboration with Good Art Company (Wellington University, New Zeland), Foundación-Museo Jorge Oteiza, Collective E7.2 and Trio Zukan. Premiere preview for 2026-03.
- 2025. “el otro lado de las cuerdas”. Solo classical guitar. Commissioned and pre-premiered by Rody van Gemert, in Festival Musica Nova (Helsinki) in 2025-02-10, Finland. Premiere planned for 2025-10, Rock Church, Helsinki.
- De Cerca: expansión, for grand piano. A research project in collaboration with piano player Lluïsa Espigolé
- En la piel de la cuerda. For alto solo
- MotoAusculpt: for a Guzzi motorcycle and electronics. For two or three percussionists
Recently
- 2023. "eszku". Performative installation for txistu, accordion, percussion, electronics and sound objects. Commissioned by Trio Zukan. Produced by E7.2 artistic collective and Trio Zukan. Avant-premiere in 2023-10, at After Cage festival In Oteiza Foundation, Navarra, Spain.
- 2023. "tanta i intzi tanta", installation. Commissioned by Baluarte Foundation and Gobierno de Navarra. In collaboration with E7.2 collective and the visual artist Patxi Araujo. Premiered in Artistic Encounters of Navarra. Link to the teaser.
- 2022. "de cerca", for grand piano (commissioned by Gobierno de Navarra). A collaboration with piano player Lluïsa Espigolé
- 2022. "cuerpo abierto", for bass-baritone, electroacoustic and actor. Commissioned by Nicholas Isherwood & Museo Universidad de Navarra. With Javier Álvaro and the theater school Teatrolari, actor.
- 2022. "desprendida voz", for txistu, accordion, percussion and electronics. Commissioned by Trio Zukan. In collaboration with Patxi Araujo (video)
- 2021. "Canta madera, grita!", for solo amplified 5 octaves marimba and resonnators. Commissioned and premiered by Juanjo Guillén (Neopercusión)
- 2021. “el tercero es la sombra”, for quintet (flute, bass clarinet, violon, celo, piano), Commissioned and premiered by Grupo Enigma.
- 2020. "Melos", for baritone oboe and electronics. Commissioned and premiered by Pilar Fontalba, oboe player
- 2019. "shut down", for guitar and koto. Commissioned by Norio Sato. Premiered by Norio Sato and Kimura Maya.
- 2019. "máscaras" (solo electronics, octaphonic system).
- 2019. “Oteiza”: A work on the sculptor, poet and essayist Jorge Oteiza. For ensemble, basse and electronics. Commissioned by the Collective E72 and Ópera de Cámara de Navarra. First performance by Nicholas Isherwood, Nacho de Paz, Ensemble E7.2, Ángel Faraldo, Pablo Ramos, Backstage, Museo de la Universidad de Navarra, Spain.
Other projects, commissions
- 2018. "El elefante, la gata y el mar". Música incidental y diseño sonoro, para propuesta dramatúrgica de Javier Álvaro basada en textos de E. Hemingway. Compañía de teatro Teatrolari. Con Javier Álvaro y Ventura Ruiz.
- 2017. “Sin horizonte”, for mesotonic accordion. Commissioned by Ander Tellería.
- 2017. "Scapeland", for piano, cello, gestures and words. Commissioned by Alberto Rosado and David Apellániz.
- 2016. “Robar Belleza”, Commissioned by the collective E7.2, (collaboration with the choreographer Bertha Bermúdez and NeoPercusión ensemble).
- 2013. “Desde el muro”, concerto for bass saxophone and orchestra. Commissioned by Foundation Pablo Sarasate and AEOS.
- 2012. “Suave ubicuidad”. For flute, bass clarinet and cello. Commissioned by PLural Ensemble.
- 2012. “Nozarashi”, for 16 voices and 3 percussionists. Commissioned by CNDM and KEA.
- 2011. “Senderos de la risa”, for orchestra, flute, saxophone, trumpet, trombone, soprano (2), mezo, baritone, electronics). Commissioned by ORCAM and Madrid’s Community.
- 2010. “L’Oeil”, for saxophone quartet and electronics. Commissioned by Sigma Project saxophone quartet.
- 2010. “Pulsar”, for classic guitar. Commissioned by Public University of Navarra.
- 2008. “Under Construction”, for classic guitar and electronics. Commissioned by Norio Sato.
- 2007. “Skin’s Traces”, for frame-drum and electronics. Commissioned by Rie Watanabe.
- 2006. “El umbral de una línea III”, for saxophone and electronics. Commissioned by Josetxo Silguero.
- Other commissions by the BBVA Foundation, Li(Luo) dance company, André Malraux cultural center, Fund. Author/AEOS, Fund. Pablo Sarasate, CNDM, Plural Ensemble, ORCAM, Quincena Musical, Grupo Enigma.
Transcriptions
- 1999. “Tellur”, for orchestra. Original by Tristan Murail, for classic guitar.
- 1998. “Out of doors IV”, for orchestra. Original by B. Bartok, for piano
- 1996. “Asturiana” and “Polo”, for strings chamber orchestra. Original by M. de Falla, for voice and piano.